Resources

Corporation for Digital Scholarship. (2010). Omeka.net. Retrieved from http://www.omeka.net/

Gilbert, H., & Mobley, T. (2013). Breaking up with CONTENTdm: Why and how one institution took the leap to open source. Code4Lib Journal, (20).

Retrieved from http://journal.code4lib.org/articles/8327?utm_source=rss&utm_medium=rss&utm_campaign=breaking-up-with-contentdm-why-and-how-one-institution-took-the-leap-to-open-source

Higgins, S. (2012). Cataloging images using CONTENTdm. Pacific Northwest Library Association Quarterly, 76 (2), 6-18.

Retrieved from: https://works.bepress.com/silke_higgins/1/download/

Kerr, P.A. (2016). Managing a digital archiving project at the University of the West Indies Library: A case study. Libellarium, 9 (2), 95 – 107

doi: http://dx.doi.org/10.15291/libellarium.v9i2.2

Kroski, E. (2013, May 28). 5 Free and Open Source Tools for Creating Digital Exhibitions. Retrieved from http://oedb.org/ilibrarian/5-free-and-open-source-tools-for-creating-digital-exhibitions/ OCLC. (2017).

CONTENTdm. Retrieved from http://www.oclc.org/en/contentdm.html

Rath, L. (2016). Omeka.net as a librarian-led digital humanities meeting place. New Library World, 117 (3/4). doi: 10.1108/NLW-09-2015-0070

Bayer, A. (2014). Evangelizing the ‘Gallery of the Future’: a Critical Analysis of the Google Art Project Narrative and its Political, Cultural, and Technological Stakes. (Master’s thesis, The University of Western Ontario). Electronic Thesis and Dissertation Repository: http://ir.lib.uwo.ca/etd/2239/

Beil, K. (2013). Seeing syntax: Google art project and the twenty-first-century period eye. Afterimage, 40(4), 22-27. Retrieved from http://search.proquest.com/openview/b9d08d48ff9bdc2bf3ffd55ef56705ef/1?pq-origsite=gscholar&cbl=37068

Chaekgado. (2013). In Virtual Collection of Asian Masterpieces. Retrieved from: http://masterpieces.asemus.museum/masterpiece/detail.nhn?objectId=12587

Corporation for Digital Scholarship. (2010). Omeka.net. Retrieved from http://www.omeka.net/

Gilbert, H., & Mobley, T. (2013). Breaking up with CONTENTdm: Why and how one institution took the leap to open source. Code4Lib Journal, (20). Retrieved from http://journal.code4lib.org/articles/8327?utm_source=rss&utm_medium=rss&utm_campaign=breaking-up-with-contentdm-why-and-how-one-institution-took-the-leap-to-open-source

Google Cultural Institue. (2015). Retrieved from: https://www.google.com/culturalinstitute/about/partners/Higgins, S. (2012). Cataloging images using CONTENTdm. Pacific Northwest Library Association Quarterly, 76 (2), 6-18. Retrieved from: https://works.bepress.com/silke_higgins/1/download/

Kerr, P.A. (2016). Managing a digital archiving project at the University of the West Indies Library: A case study. Libellarium, 9 (2), 95 – 107 doi: http://dx.doi.org/10.15291/libellarium.v9i2.2

Kroski, E. (2013, May 28). 5 Free and Open Source Tools for Creating Digital Exhibitions. Retrieved fromhttp://oedb.org/ilibrarian/5-free-and-open-source-tools-for-creating-digital-exhibitions/ OCLC. (2017). CONTENTdm. Retrieved from http://www.oclc.org/en/contentdm.html

Rath, L. (2016). Omeka.net as a librarian-led digital humanities meeting place. New Library World, 117 (3/4). doi: 10.1108/NLW-09-2015-0070

Yoon, Y. (2002). Handbook of Korean Art: Folk Painting. Seoul: Yekyong Publishing Co.